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Showing posts from July, 2011

Better Know a Composer: Clara Schumann

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Her husband gets more attention today, but back in the 19th century Clara Schumann (1819-1896) was the star in the family. With a performance career spanning six decades (she made her solo debut in Leipzig at the age of 11), Clara was Germany's reigning "Queen of Pianists" throughout most of the 1800s. Chopin, Liszt, and Mendelssohn dedicated works to her, and no less a cultural kingpin than Goethe was an enraptured fan of her playing. She also served as Brahms's confidant, musical adviser, and muse from the time they met in 1850, when Brahms was an up-and-coming twenty-year-old, until her death. She was a first-rate composer, although she was personally insecure about her skill at writing music. Clara's most popular piece during her lifetime was the Piano Trio, which she wrote in 1846. Only months later, her husband completed his inaugural work in the genre, and she often paired the pieces in concert. Here's the last movement, which includes a fugato s

Everyone Needs a Hobby: I Write Program Notes About Schoenberg

Last January, I gave a paper on Rochberg's Second String Quartet at the winter meeting of the American Musicological Society's Greater New York Chapter. In March 2012, I'll be down in Charlotte to give a paper on the composer's Music for the Magic Theater at the Society for American Music's annual conference . Here's the abstract:

Coldplay Cover Alert

Stereogum posted a clip of Swedish singer Robyn covering “Every Teardrop Is A Waterfall” as part of an appearance on the BBC. I don't know who Robyn is, but her version is nice. Certainly, it's a lot less overwrought.

It's Getting Harder to Like Coldplay All the Time

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Last week, Coldplay released the video for its latest mashup , "Every Teardrop is a Waterfall," and it isn't pretty.