The Bechtler Museum of Modern Art in Charlotte is set to open January 2 and hosted a media sneak-peek yesterday . Another video is up at the Charlotte Observer's website .
On his own blog, my colleague Nate Zeisler describes two models for musical careers . In the first model, musicians are mechanics, creating within "a very narrow, accepted window of performance practice which has been dictated by your teacher, conductor and the music written on a page." In the second model, musicians act more like designers, and come up with "new ways of thinking about the art form" by drawing on new genres of music and artistic disciplines. For Nate, the path toward a successful career is to fuse the two: In the field of classical music, there is very little room for people who can’t infuse qualities from both sides of the aisle into their career. Great designers in music will have little to say and won’t have credibility in the field if they aren’t great mechanics. Great mechanics, for the most part, won’t have a sustainable career if they’re not thinking as designers. I agree that the most successful musicians will be able to be both mechanic
Much more disgraceful than The Met's new logo is that the museum lies to the public. If you've ever gone, you'll know that The Met goes to every length to not only obscure that it's free to visit, but actively tries to get you to pay a "recommended" admission fee. In a passive-aggressive move designed only to end a lawsuit for its fraudulence, The Met will now call it a "suggested" fee to enter on its signage . Whether its employees will be more forthcoming with the attendance policy is yet to be seen. This kind of dishonesty is much more hurtful to your brand than any logo-design misfire.